Art John Hayes Art John Hayes

Madame X

Today's drawing is day two of developing my portrait skills. Today was a warm-up exercise of drawing John Singer Sargent's Madam X. Focusing on the proportions and how the eyes, ears, and head proportions line up.

Putting aside what you see, people are even more alike than you think. There are infinite unique faces and features, but almost everyone is the same in many respects. For example, the eyes are halfway between the top of the skull and the chin, and the back of the eye to the back of the ear is the same distance as the front of the eye to the top of the head. In this crazy world, another example of what we have in common.

Learning the isosceles triangle of the head, eyes, and ears is fantastic. Progressing 1% a day.


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Art John Hayes Art John Hayes

The Hand on the Picture Plane

Today’s assignment was to draw my hand in foreshortened view using a glass picture plane. This technique/learning tool was created back in the 1400s. This tool helps you see and draw a three-dimensional item on a two-dimensional plane.

It is unbelievably easy to trace my hand on the glass. It was interesting to me how the glass eliminated the stress and angst of trying to capture the depth of my hand. Instead, I focused on the lines and outside map of my hand and watch—a great learning experience.

I picked up a discount picture frame and a few cheap mats at the craft store—an inexpensive, practical glass picture plane.

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Art John Hayes Art John Hayes

Another Upside-Down Man

Today’s sketch was another where you look at the image upside down. This exercise from the book Drawing on the Right Side of Brain reduces mental conflict. Drawing upside down uses the gap between recognition (knowing you are drawing a man) and drawing upside down, so you focus on lines, angles, and circles. In other words, use the right side of your brain.

This Drawing is from page 53 of Drawing on the Right Side of Brain and is by Pablo Picasso of the Russian Composer Igor Stravinsky.

It was enjoyable, and I focused on the lines and angles, not calling out a head, face, or hands. It works.


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